Let’s put another rumor to rest—once and for all.
The Myth
“Robert Stanek fabricated or exaggerated claims about book earnings and audience reach.”
The Truth
What I’ve actually said has been public for years. You just have to want to hear it.
I’ve authored more than 150 professionally published books, translated and republished by dozens of global publishers, including all of the Big 6 (now 5) U.S. publishers.
Beyond that, over a career that spans nearly four decades, I’ve:
- Created thousands of technical training courses, leadership workshops, and learning materials—many of which were adopted (often without authorization) across academic and corporate environments.
- Written extensively for Microsoft and other tech giants, with work translated into nearly every language on Earth and distributed internally and externally to millions.
- Built a parallel career as a professional artist and photographer since 1992.
So yes—if we’re counting total reach, distribution, readership, and global impact?
The work has been read by tens of millions.
The total value generated—direct and indirect—over time has been
substantial, based on broad distribution across multiple industries.
That’s not earnings in my pocket. That’s not internet lore. That’s reality. 40 years of global publishing and content creation.
But Here’s What They Don’t Say
Like most early-career authors, I got bad deals. Pennies on the dollar.
And later? I discovered my training materials and content had been lifted, repackaged, and resold across universities and institutions without compensation.
That includes:
- Technical papers and books used in courseware around the world.
- Entire leadership programs built on materials I developed.
- Millions of reads of my technical work, published under my name and pseudonyms, circulating freely—without attribution or payment.
In truth, the scale of unauthorized use represents not just a loss—it reflects a multiplier effect, with the value of what was taken exceeding legitimate earnings by a factor of 10 to 20.
And no, I’m not chasing that number for ego. I’m stating it because the real cost of disinformation and exploitation matters—not just to me, but to every creator.
So Why Does This Matter Now?
Because the same people recycling this “myth” are also the ones mocking, harassing, and gaslighting the writers, artists, and technologists who’ve actually done the work.
This isn’t curiosity. It’s character assassination disguised as commentary.
And I’ve had to live with the cost of that:
Heart attack.
Stroke.
Not from writing. Not from creativity. But from the stress of constantly having to defend that work against people who’ve never read it, never researched it, and never cared about the truth.
Let Me Say This One More Time
I don’t need to “prove” my resume to trolls.
I don’t need to inflate numbers to make the work matter.
And I sure as hell don’t need to justify success to those who never wanted it to be real in the first place.
The books are real.
The readers are real.
The story is still standing.
And maybe that’s why they’re still trying so hard to erase it.
Not because it’s fake.
But because it mattered — and still does.
—Robert Stanek
If You’re Still Here, Maybe You Actually Want the Truth
Want to understand the full picture?
- robert-stanek.com — books, readers, legacy
- williamrstanek.com — military service, family, photography
- williamstanek.com — technical writing, art, career
- 360 Studios Gallery — fine art & photography
Celebrating Worldwide Recognition & Success
Beloved Series & Bestselling Titles
Ruin Mist • Bugville Critters • After the Machines • Scott Evers Thrillers
Chart-Topping Achievements
- #1 Fiction — Audible.com
- #1 Kids & YA — Audible.com
- #1 Mystery/Thriller — Audible.com
- Top 10 Kids & YA — Audible.com
- Top 50 Sci-Fi & Fantasy — Amazon.com
- Top 50 All-Time Bestseller — Audible.com
- #1 Free Dystopian, Sci-Fi & Fantasy, Mystery/Thriller — Amazon.com
As Featured In
The New York Times • Publisher's Weekly • VOYA Magazine • Foreword Magazine • School Library Journal • Library Journal • Children's Bookshelf • Parenting Magazine • The Journal of Electronic Defense • OverDrive’s “ContentWire for Libraries” • Ancient Art of Faery Magick • The Complete Idiot’s Guide to Elves & Fairies • Popular Series Fiction for Middle School and Teen Readers
Trusted by Leading Platforms
Audible • Emusic • Epic! • Kobo • Spotify • Tales2Go • Playaway • Findaway World • Ripple Reader • Sony Ebooks • Google Play • Apple Books • Walmart • ThriftBooks • OverDrive • eLibrary • Ingram Digital • EBSCO • Chirp Books • Barnes & Noble • Scribd • Hoopla Digital • Bookshop Org • Tolino Media • Target • Storytel • Librofm • Audiobook Store • Downpour Audio • BookPage • eBrary • Proquest • Baker & Taylor • BookSource • and dozens more over the years to ensure our stories reached homes, schools, and libraries everywhere.
Acclaimed Worldwide by Readers, Critics & Professionals
Ruin Mist / Kingdoms & the Elves / Service of Dragons
- Instant Bestsellers (2002): 26 weeks on Amazon’s Sci-Fi/Fantasy Top 50
- Audible Milestone (2005): #1 for 14 consecutive weeks; Top 10 Kids & YA for 3 years
- Millions of readers reached via Amazon, Audible, OverDrive, and more
- VOYA Review: “Dramatic illustrations draw the reader into the Tolkienesque world...”
- Foreword Magazine: “Three compelling stories, fast-paced and suspenseful… Brisk, accessible prose.”
- Publisher’s Weekly Cover Feature: April 2009
The Pieces of the Puzzle
- #1 Fiction & Top 10 Mystery Bestseller — Audible (2005)
Bugville Critters
- Follett Early Learning: “Essential early learning series.”
- Foreword Magazine: “Colorful and instructive, reminiscent of Little Miss Spider.”
- The Audio Book Store: “One of our most featured and respected Kids authors.”
- Parenting Magazine: “Recommended Series.”
Stormjammers
- The Journal of Electronic Defense: “Ride along with Stanek’s crew in 32 Desert Storm missions.”